Monday, 22 September 2008
Saturday, 23 August 2008
The month-long MP3, entitled Nisan Moon Phase (Extended), is now online. Because of its decreased bitrate (though given the lo-fi nature of this 786 hours, 3 minutes, and 4 seconds long piece, the lower bitrate is not going to be entirely detrimental to the enjoyability of the work and it'll save your hard drive the strain of what would normally be a file of approximately 70GB - about a quarter of the average of today's laptops' storage) at the 192kbps standard they have so far gone for), the file is not being considered part of the a larger Bull of Heaven project and is consequently being hosted on the Clayton Counts blog instead.
EDIT: I had to change the information in the entry because it was wrong. It was wrong because I am dumb and tired, in order from highest to lowest of proportional blame.
Thursday, 21 August 2008
Bull of Heaven is the name of a posthumous project of one Clayton Counts, of The Beachles' Sgt. Petsounds (in)fame, collaborating with a host of others (particularly Neil Keener, co-compiler, former member of Planes Mistaken for Stars*, now of Git Some), exploring the possibilities of sound art and music in the rapidly-advancing digital age. They have released several works of noise art under this moniker and, ironing out the problems with distribution of large files in the past couple of weeks, have now successfully surpassed the longest piece of recorded** music of which I was previously aware, Leif Inge's 9 Beet Stretch (and even this 24-hour extension of Beethoven's 9th Symphony was broken down into individual 80-minute files). At first they managed to match it (#028), before beating it with a single 37½ hour MP3 (#044). Subsequently they have blown this out of the water with a week-long (168 hours) MP3 (#045).
Word has reached me that work is being completed on a month-long file, with several more diverse pieces - they have already dabbled found sound (#013), rock music (#039) and cut-up (#040) - being planned in the near future, including one release that will mate the hitherto unmarried genres of doom metal and Hindi death chants. I also hear tell that whilst the recent long pieces are deep drones with very subtle changes, for the really long tracks they hope to have more noticeable progressions. Eventually, Bull of Heaven aim to have released one recorded track that spans a whole century.
*At the bottom of this Wikipedia article you'll find a link to the PMFS's official website. Don't bother to follow said link as, instead of the promised website, you'll find one of those holding pages full of adverts which tell such charming miniature narratives as "American Singles | Diamond Engagement Rings | Real Estate Commercial | Interior Design | Debt Management | Hot Brazilian Girls | Medical Billing". Instead, you might prefer to drop by the band's MySpace page.
**So as to rule out non-recorded pieces such as John Cage's 639-year ORGAN² / ASLSP and Jem Finer's millenium-long Longplayer (streamable on-site) neither of which have, as yet, actually been set in any retrievable (which is not necessarily the same as physical) medium as complete pieces.
Wednesday, 20 August 2008
Sunday, 17 August 2008
This is just so I feel like I'm back on track. Really, I've not much to say on the thing, nor on my (undoubtedly oversized) collection of poorly recorded 1980s children's television show theme tunes. One thing I will say is that I once saw, presumably in 1988, Button Moon's live theatre show (which probably makes this my first outing to the theatre, shortly before my day
The official website does not rule out the possibility of a return of Button Moon to the stage.
Download: Button Moon - Button Moon (Closing Theme)
*Read "day". It really only spans actual days if you include the dress rehearsal.
Saturday, 16 August 2008
Knobtweaker was amongst the advance guard (somewhere I shall almost certainly never find myself, as I shuffle along in my esoteric fashion) when it came to its knowledge of present and future indie-dance credibility. Now it is sadly no longer with us, but on re-listening to (part of) their Best of 2005 list I find it still beats in terms of class and dance-ability the set-lists of those indie-music DJs locally - we have them, even here in the back-end of Nowhere - who think they are with the curve, at best.
As it is, I wish I'd made better use of their writing at the time, as I hit upon them exactly when I was trying to take too much in and could have done with honing my blog interests a little, as I seem to have managed now. I read those in my sidebar, a handful of others at times and keep it at that, even though I probably still have somewhere a list of all those I tried to read - far too much to actually glean any usable knowledge from.
My system recently has demonstrated a fondness for instrumental tracks. This song does contain lyrics, but damned if I can actually discern any. Of course, what's important is the sound and to my ears this is an original and intensely palatable slice of driving electronica, quite at odds to those tracks posted so far in this run. Nice to have something a little more energetic about the place on occasion.
Download: The Alpha Conspiracy - Defend Yourself
Official website, where MP3 links are provided, but without evidence of actual MP3s.
Buy Aura: UK | US
Our latest absence was prompted, as usual, by another computer glitch. The current status is rather more optimistic as we have a good Internet connection in spite of running under Vista. More news as it breaks, which in my case is probably the most appropriate word for it.
Wednesday, 6 August 2008
In 2000, Goldfrapp appeared on the scene with Lovely Head, a song that, along with Utopia, also from 2000's Felt Mountain, featured on a number of club chill-out compilations, yet they failed to trouble the UK charts in any way until around 2005's Supernature, when they made it high up in both the singles and albums charts. Certainly, I didn't help them any, though I was aware of them thanks to being, at the time, developing interests in different types of music thanks to magazine cover discs and compilation albums, long before the Internet became my primary source of music journalism and I lost all touch with what was current and became unable to participate in conversations with friends about what's going on now as it all seems to have happened so long ago to me. Ignorance in a case like this would be bliss for many, except for the fact that I really enjoy hearing a wealth of different things and very occasionally I hit upon something really very special.
This album is not one of those things, but remains my favourite of Goldfrapp's works to date. This is generally due to my own F.A.B. (First Awareness Bias) which means that in almost all cases the first few songs, or album, I hear by a particular artist or group become my favourites, most likely due to the feelings of excitement that surround that first exposure, but there is a chance it is down to these songs actually being their best works. I cannot argue this case with Goldfrapp so much, as I've not heard much of their later work. I am aware that the bloggers out there are in two minds about the latest, Seventh Tree. Pitchfork didn't rate it at all, Song, by Toad considered it "shopping music" and Marcy of Lost in Your Inbox concurred, in spite of wanting it to be better. On the other hand, Van - who commented on Marcy's entry - gave it the title of best album of 2008 so far, as did Alex of Quiet Color, whilst ÜberDrivel's Roland - though seeming unconvinced on the whole - thought it a bold change in direction.
If I were feeling up it right now I would offer my own appraisal of the songs that have been made available through the blogs and give an opinion of my own, but, as implied by the opening word of this sentence, I don't. I shall leave you with this instrumental track from their debut, and the video of that first single that seemed to so allude everybody at the time.
Download: Goldfrapp - Oompa Radar
Tuesday, 5 August 2008
This particular soundbyte is one of the system sounds created by The Weatherman, whose own part of the main site can be found here. I can no longer find most of the sounds, though a few are still available. Negativland's philosophy of art and music is an interesting one, and their archives are well worth examining, whatever your opinion on the culture of plunderphonics, unauthorised sampling and intellectual property ownership.
Download: Negativland - Bluhbluhbluhluhluhluhluhluhla.
Here's a video of one of my favourite Negativland things:
EDIT: Anybody who came here recently might have noticed the video wasn't correct. This has since been fixed.
Monday, 4 August 2008
Kid Ory, besides being a jazz trombonist, was also a bandleader (hiring many illustrious names in his career, including Louis Armstrong) and was composer of the Savoy Blues. Trying to find accurate information about the composition itself appears unseasonably difficult, but it seems to be (at least according to this page) one of the key pieces that drew the focus in ensemble performance toward key solo performances rather than keeping the group uniformly balanced.
As I cannot find accurate information I'd sooner not take the risk of saying anything too wildly innacurate, so shall leave the description of the piece at that and let those who wish to learn more do their own, probably more successful research.
As for the collection this is featured on, Hittin' on All Six: a History of the Jazz Guitar, it is a reasonable document of early jazz up to the 1960s, though it must be said the full history of jazz guitar does include its early development as a full-fledged jazz instrument, so many of the earlier tracks, such as the one featured do not feature guitar so prominently (Savoy Blues is more a cornet solo piece, but there is a guitar solo in there). I have also read a few reviews of it as being mediocre in terms of recording quality. What it lacks in quality it certainly more than makes up for in quantity (as Michel Gondry says, "quantity lasts and quality goes") and for the price this stands as a very decent introductory record for those wishing for a convenient starting point in the genre and/or early popular music history.
Download: Kid Ory - Savoy Blues
Kid Ory on Wikipedia
Buy Hittin' on All Six: a History of the Jazz Guitar: Amazon UK | US
Friday, 1 August 2008
This blog so far has been all good intentions but with little in the way of actual content. I hope with this post to redeem myself a little before beginning afresh on Monday as previously planned. A full explanation is included in the file, but in short this is my by-now moderately (but internationally) infamous chicken-themed compilation, which has been given in CD-swaps, as currency in small bartering exchanges, and snuck into the CD collections of several Brighton cafés, bars and shops. I call it That Chicken CD?.
[Edit: This is the same version as was received by James of Appetite for Distraction. I include notes to this effect in the .zip file itself, but neglected to say so here, hence his comment.]
Download: That Chicken CD? (rapidshare | sharebee)
Monday, 21 July 2008
Monday, 16 June 2008
Sunday, 15 June 2008
I would not normally post on a Sunday, but have decided to as I have something to report anyway and I might as well write something up at the same time. We'll come to that a little later. First, a little about the song.
JHH Lowengard has a peculiar little corner of the Internet where occasionally things pop up. It is well worth a look. Jhhl can also be found at one of my favourite haunts: WFMU.org. This song is from a small group of tracks written for his then 0-1 year old daughter, Ada, with his wife, Nancy Graham. As is quite often the case with these things, I cannot recall exactly how I came about the site. It could have been via the 365 Days Project, it could have been by some other avenue. A full set of MP3s is available from this page.
There is a potential video for this entry, but I'll only be linking to the page itself from here. This is Love is So Sweet: A short animated video by JHHL, Nancy and Ada.
Download: JHH Lowengard - Ada Went to the Library
I will, starting tomorrow, be running the S+7 Method from scratch. This follows from a talk with a friend about the merits of the system as a process of selection. He quite correctly pointed out that it is not a perfect system as it is not an all-inclusive sorting method and looping can occur quickly in some lists, especially small ones. I have been looking for fresh ways to apply this constraint on various aspects of my day-to-day life, such as selecting films to watch, books to read, even food from menus and have found plenty of occasions where items have been left out of S+7 arrangements. As a consequence the decision has been made instead to run a reductive S+7 system.
Besides this, I plan to be a little more open about the iteration of each step within the system so there is no doubt as to the methodology.
Monday, 26 May 2008
We'll see you in a few weeks.
Monday, 19 May 2008
Deriving chaos from order.
A few weeks' absence has occurred due to circumstances I couldn't possibly control. These little problems seem to have been fixed - except for the having gotten a job element which is, thankfully, still an obstruction in the path of my blogging - and I'm ready again to get on with the task of blogging. The song that has been selected for my comeback is not exactly a fröhlich fanfare, but it is an interesting construction by one Mauricio Kagel, the Argentine composer and film maker.
Acustica is a four-sided LP release performed by the Kölner Ensemble, each side intended as a single session. The whole series can be listened to in one sitting, as combined they fall within one album's length, but the author does not expect the listener to give it such extended attention. Consequently, you may listen to this piece alone and have heard Acustica, or you can download the entire recording and hear some other permutations of the piece.
The composition itself is decidedly marked. There are few accidents in the actual performing of the piece. Each of the sounds is described on a filing card. Where the variation stems from is the order of the cards, plus the performers' own decisions as to when best to come in with each instruction, with regard to timing and contextual propriety. The link to the full recording above also points the the author's own description of the work.
Included below is a video, so you can get a visual impression of the sort of thing one might expect from such a performance:
Download: Mauricio Kagel - Acustica (Side 4) (from Ubu Web)
Mauricio Kagel on Wikipedia
Mauricio Kagel's films on Ubu Web
Sunday, 27 April 2008
Note to self: more art.
Friday, 25 April 2008
Way back when (actually, not so long ago) I was Head of Music on a student radio station. This seems like an exciting job at first, until you realise that around 95% of all you receive is pap (you may choose either definition, especially given the number of people famous simply for having breasts getting into the recording studios has risen dramatically these past few years). It then becomes a grueling task, getting up and trying to find the diamond amongst the rough. For a while I had fun sending biting reviews to the marketing companies, until one suggested that perhaps we ought to find a Head of Music who actually liked music and I stood down, instead taking over the role of Programmer, which with its dependency on Spreadsheet management, suited me far better and allowed me to make some much-needed changes to the output of the station.
One band who did capture my ears not unfavourably were Dutch three-piece Voicst. Their name means "manic energy" in Afrikaans and this so precisely defines their sound I feel at a loss describing it else. This song, like the song on which promo it was featured (Acts of Fire), is from their debut, 11-11, released in 2004 in Holland before putting a girdle about the world at a snail's pace, though not for a lack of impact. They've supported the likes of The Raveonettes, Nada Surf, The Bravery, The Presidents of the United States of America, and others. Working hard on touring and building up their fanbase the old-fashioned way, they have only just this year released their second album - A Tale of Two Devils - on which they worked with producer Peter Katis (Interpol, The National).
Good luck finding that one if you're not an iTunes user, like myself.
Much of the information for this article was researched on their Wikipedia entry, which was either penned by someone from their native Holland, or by an English-speaker with a curious idea of the proper application of the present and future conditional tenses.
Download: Voicst - Sgt. Gonzo
And here's a video. We've not had one for a while*. This is the aforementioned Acts of Fire:
Voicst's official website (a few streamable songs set amongst a too-oft clumsy design)
Buy 11-11: Amazon UK (where they've gotten the name wrong) | US
*EDIT: I remembered I could have added one yesterday, so have just done so.
Thursday, 24 April 2008
Two tracks on the blog today, simply because I missed yesterday's. No big deal as I would have had nothing much to say about the last track, except that I found it here and that it's nice, which as we all by now know is hardly a compliment. More a thinly veiled disinterest. Still, with only two samples, however, it is difficult to get much of an impression of the artist. * I think this is especially the case in instrumental piano music. It didn't grab me, so I guess it's not for me.
I don't have a lot to say about today's artist either, though for quite different reasons. This is the peril of such a systematic blogging technique: you don't always have oodles of knowledge to spew forth about the chosen topic for the day. As it is, however, I'm sure most of you probably know more about Belle & Sebastian than I could claim to. As much as I like their clever lyrical wordplay and their seeming simplicity of composition, I can never recall going out of my way to listen to them.
Of course, I have a lot of music to listen to and tend to dart about a little haphazardly around my collection (except the past couple of days when I have been listening almost exclusively to Do or DIY on WFMU, compiled by People Like Us). I have, however, taken to listening to albums again over the last two years; more than I ever did even when CDs were the dominant format. I can't remember the number of tapes I recorded songs onto, re-recording over and over until they wore themselves out - all for my own personal use.
Belle & Sebastian have always been, in my mind at least, a band for the summer. I am more an autumnal type with wintry leanings, preferring The Divine Comedy's earlier work over the pop drivel of their latest album. One interesting fact I can tell you is that Arab Strap, the band after whom the album (The Boy with the Arab Strap) was named, were not so happy with the tribute claiming "there's a limit to putting someone else's name on an album". Arab Strap are now defunct, though both Aidan Moffat and Malcolm Middleton are still active, both with an album release this year. Those who wish to know where the original Arab Strap took their name from should take a look here, then scrub their eyes with soapy water.
See, I can talk away and never get to the point where I get down to really discussing an artist or even the particular songs posted**, but the point of this blog is to allow the music to provide the destinations. The route I take remains entirely up to me and these are but early days. What I have done on this occasion to mask my ignorance of one of the great bands from over the wall is to garnish this entry with myriad links to websites where you can get a lot of free music to sample if you look around. I shall also, as is my current modus operandi, leave you with these two MP3 offerings:
Download: Thomas James - 15 Years (from FreeSoloPiano)
Download: Belle & Sebastian - Simple Things
A video for Simple Things does exist on YouTube, so here it is:
Thomas James's official website
Belle & Sebastian's official website
Buy The Boy with the Arab Strap: Amazon UK | US
*I'd previously typed "Excet" here. God only knows what I was trying to say before I got distracted and went off to edit another paragraph. I never tend to write in a direct top-to-bottom fashion.
**The song actually provided me the quite wonderful lyric for which I went out looking for picture opportunities to accompany. There were a few oddities I spotted in my excursions, the favourite of which graces the top of the entry. Unless somebody can tell me how to add a 'jump' to my blog entry, however, these others shall remain in the picture bin for possible use in future entries.
Tuesday, 22 April 2008
This track is part of a larger project conducted by Soulseek Records, the first of those entitled 24 Hour Massacre. This is a collaborative work where the artists try to segue from the piece preceding theirs in order to make a seamless-feeling unit. With 40 minutes each to make their contribution and get the work delivered to the next artist in line, this demonstrates a unique form of music-making under pressure. It is worth a listen, even if you find it not to your taste. Personally, I've listened to it on a good dozen or so occasions. I find there's a lot to be taken in and a subtle artistry in the arrangements as each artist inputs their unique style into the framework of the piece, moving from another's work into their own.
They have repeated this project a subsequent two times and there is plenty more listening available on the website, including 1 Minute and 1 Second 'Massacres'.
Download: Bulldozerman - 8 Hours 53 Minutes (FTP). Try here (HTTP) if that doesn't work.
Album: On Archive.org | On Soulseek Records | Direct Download (ZIP)
To fully appreciate the track you should listen to it in context. Give it a go, even if you never listen to it, or anything like it, again.
*Honestly. The track is not 9 hours long. Not even almost. The time in the title is the time respective to the start of the 24 hour window for the project that this musician received the work.
Monday, 21 April 2008
The 7th Guest was one of the first computer games I ever played after getting the first family PC - having prior to this been a household of Commodore A550 users. For a game that is simply a series of logic problems its premise is rather complex and its atmosphere tense and, on occasion, rather terrifying, in spite of being unable to 'lose' the game by dying in any way. Part of the reason I failed out on posting early on last week was because of stumbling onto one of the songs from its soundtrack and feeling drawn to actually finishing the damned thing as I never did at the time.
The rest of the week I just felt tired - quite unrelated to the game - and set about on a mission of recovery. Come about Wednesday I decided that it was looking like my first week off and I should resign myself to it and look into hosting of the previous fortnight's music as recompense.
I'm not actually sure where this music can be heard in the game. I dozed off on my two-seater - my sleeping location of choice this past week - whilst playing and must have heard the Downstairs Puzzles music around a quarter of a million times before getting sufficiently energised to get up and turn the computer off. This is why these slow sorts of games are, generally, the only type I ever play. I'm not much of an enthusiastic gamer so anything that requires reflexes or kills you off just because you stopped concentrating on what it was you were meant to be doing for a couple of hours isn't much for me. As it is, what with the Internet and the occasional intelligent person crafting a sufficiently complex spin on this genre - to say nothing of the rather more common non-intellect who also see fit to create their own tribute(s) - with Flash, new games in this vein rarely surface. An unofficial sequel to The 7th Guest and The 11th Hour is being worked on, the Myst franchise seems determined to reach into triple figures and The Fool's Errand (full game download available on the site) also looks to finally be getting a sequel, though the release date has been moved back several times the past five years, sometime this year being the latest predicted.
Here's the opening sequence from the game, in lieu of anything else to post, video-wise:
Download: George "The Fat Man" Sanger - Misc. Scary
The 7th Guest on Wikipedia - also has links to a page where some other relevant MP3s can be found, if that tickles you.
You can probably find the game itself secondhand somewhere. On the other hand, it is now considered Abandonware and can be downloaded from Lost Treasures, here (the site is in French, but the game itself is the English-language version).
Sunday, 20 April 2008
S1: Beck - We Dance Alone
S2: Jason Webley - Eleven Saints (with Jay Thompson)
S3: Mark Hamn - Mono
S4: Yann Tiersen - Monochrome (Live)
S5: Jodie Foster - La Vie C'est Chouette (from Ubu Web)
S6: Sade - Somebody Already Broke My Heart
S7: Various Artists - It's Only Rock 'n' Roll (Deadly Avengers Takes the Mick Remix)
S8: Goo Goo Dolls - It's Over
S9: Casual, Rock Marciano, Vordual Mega & Tragedy Khadafi - Think Differently
S10: The Bulgarian - Listen Man
All songs hosted now and hence will be made available for 7 days only. If you like the music, throw some support the artists' way - it's how the music keeps on coming. If you own the rights to any music here and wish them removed, fire an email my way - splus7DOTeironATgmailDOTcom (you ought to be able to derive an email address from that) - and I'll see to it they are so.
I hope to be back on form from tomorrow. In the meantime, you could do worse than to head over to the Contrast Podcast, where the theme this week was Snap!, as suggested by myself.
*Oops. Sorry, JC. FiL is great too, but it wasn't his advice I was following on this occasion.
Friday, 11 April 2008
I had a job interview today and, having failed to get to sleep last night, I've now been awake for approaching 40 hours. That's why this is all you're getting from me today. More organised service, hopefully seeing me taking pictures of things beyond my own four walls, will
The Bulgarian's MySpace
Thursday, 10 April 2008
Hip hop's not generally my thing. This album, though it is lyrically trite as hip hop goes, filled with the sorts of gangsta' lingo that we middle class suburbanites who imagine with horror that people just can't live like this can do ought but tut and wiggle our fingers at because we know that it just isn't done to "sho(o)t the drug dealer" (rather he should be re-educated in order to become a valuable contributor to society) and so on, does have some great production values. Of said criticism, one is led to believe that if one actually takes the time to read the lyrics they will gain little. Indeed, in this example, one can find peculiarities such as Mr Tragedy Khadafi claiming that he is, "blowin' ox', like oxygen, out of my nostrils," which causes this listener to question whether this is simile nestled within a metaphor the meaning of which may help reveal some greater worldly truth or whether it is more literal and he just has really big nostrils.
Rock Marciano meanwhile can have third prize for best chicken reference in a hip hop track, losing out to Team Facelift's Dippin' Chicken in second (callmeMICKEY - now defunct - would probably agree with me here), and the track that is credited with the birth of contemporary mainstream hip hop, Rappers Delight by Sugarhill Gang. This article has given the Rappers Delight Chicken Verse its proper pride of place in lyrical history.
OK, so I'm being facetious. But it is late - it is best not to take the times of my posts too literally; certainly it is that time somewhere in the world, but not here - and I have to be up and active tomorrow. It's not that I lack enthusiasm - if you have any passion for hip hop this album is worth adding to your collection - and if I came across this album on any other day I'd probably be singing its praises.
Buy Wu-Tang Meets the Indie Culture: Amazon UK | US
Wednesday, 9 April 2008
Goo Goo Dolls are another of those artists I can never make up my mind about. Certainly they have their moments and the song selected today is probably one of them. I am of the opinion, however, that they are one of those bands who you could get away with purchasing the Greatest Hits - the first volume of theirs was their latest release, in November of last year - and leaving the rest. This track would be one of the odd exceptions then, in that it is an album track. You know it's a problem, though, when you say that it sounds like it could have been a single, rather than seeing the whole album as a collection.
One thing that surprises about the Goo Goo Dolls is their sheer longevity. Formed in Buffalo, New York, in 1986, they've just kept on going. They've a new album in the works, separate from their Greatest Hits Vol. 2 due out this year. Besides this, they will be playing the O2 Wireless Festival this year.
As it's not a single, there's no official video to accompany this track. However somebody has taken some footage from The OC and edited together into one of those horrible fan-vids. It was either that or Teen Titans, so in my fashion, ignorant to most things televised, I opted for what I've seen in the blogs of others and just hope it's the lesser of two evils:
Buy Gutterflower: Amazon UK | US
Tuesday, 8 April 2008
Every once in a while, there is a record released to mark an occasion or to raise money for a charity. Very quickly one learns that just because this is the case, the record does not have to be a good one. Bought back in the day when I used to purchase any single with some novelty value, this is probably the one that put an end to that trend. I am not sure whether it is because this record was trying too hard to be Perfect Day II or whether it was just for the painful shamelessness of the two artists in the record who feel the need to point out within the performance that they are in it - those being Spice Girls and S Club 7 - but something just doesn't sit right with this record.
It is hard to be critical of a record that does good for charity, but this record leaves me feeling sour and wishing Jagger and Richards - both present - could have just given the money to the charity themselves and let this one lie. Normally the gathering together of so many big names should be a fact worth celebrating. Not in this instance, unfortunately.
The single was released across two discs (packed full of remixes, mainly). This Deadly Avengers one has the positive aspect of being short - the shortest of all the tracks, being that rare thing of a remix that is shorter than the original track - but on the more negative side of things it does make strongest use of some of the worst (I would go so far as to say irritating) elements of the source material.
Below you can see the video for the original single version. I believe, but having put the single in storage cannot actually check, that an extended version was available on a data track on the second disc. To see the full list of those involved/responsible, click on the video to be taken to the YouTube page that carries it:
The Children's Promise website
Monday, 7 April 2008
Whatever happened to Sade? I have to confess that this really ought not be my kind of thing, but Lovers Rock opener By Your Side somehow manages to sway me each time. Certainly, By Your Side didn't do as well as it probably deserved - reaching its highest singles chart position in the UK at #17.
Once again, the song chosen, Somebody Already Broke My Heart, was released as a single. In this instance it was the one single release from Lovers Live.
Official website (not recommended - it suffers broken links and an irritating immutable Flash design).
Buy Lovers Rock: Amazon UK | US
Friday, 4 April 2008
Today's stepping stones bring us to the B-Side of both of Jodie Foster's two official music releases, both of which came out in France in 1977, when she was 15 years old, Je T'attends Depuis la Nuit des Temps & When I Looked at Your Face. I can thank a variety of sources for the presence of this song, all three of which are worth your attention:
Nim's Island, out today - how convenient! - over in the US and next month here in the UK. Not that I'll be going to see it (I am, in its defense, not exactly its target demographic), but relevant information is what I aim to provide here.
I'll be back after the weekend. I am thinking this will be a weekdays-only blog. I have added some links to the side panel for your perusal. It contains those blogs that I have visited since starting my own and tracks their updates so as to provide a 'live' feed. This is useful for me, as I know when they've been updated, and you, as you might find something to your tastes at these sites. Particularly recommended is the Contrast Podcast, to which I am now a regular contributor. Expect to hear me again in next week's episode.
As usual, I try to provide a video. This is of Foster, performing Je T'attends Depuis la Nuit des Temps.
Download: Jodie Foster - La Vie C'est Chouette (from Ubu Web - relevent entry here)
Thursday, 3 April 2008
Yann Tiersen's C'était Ici is a recording of three concerts performed across three nights at Paris's Cité de la Musique in the December of 2002, the second of three live albums to date. The first, Black Session, was incredibly spartan in its instrumentation. This, however, besides the usual handful of guest artists also features the 35-strong orchestral group Synaxis. It thus offers better evidence for Tiersen's scope of emotion and drama, from dense orchestral moodscapes to electronic minimalism that bursts dramatically into a chaotic freneticism.
I should not need to tell you that Tiersen is best known for his soundtrack to Amélie, or - to give it its full title - Le Fabuleux Destin d'Amélie Poulain. However, his repertoire is rich and varied beyond the examples presented in the film, though does demonstrate perhaps why he was best choice for the film. He has long had a fondness for an element of playfulness; I would not call it childishness in spite of the presence here and there of toy pianos, melodica, music boxes and the like.
Monochrome itself was written and sung by Dominique A. who, though I cannot comment on the majority of his works, does earn himself a few bonus points for the naming of his first band after David Lynch's Elephant Man's John Merrick (it might be more, were it not for John Merrick being a fairly dreadful name for a band). It was this song - a hit on French radio, the single release from Le Phare - that propelled Tiersen into popularity.
(An aside: My one complaint of this album, which is just a thing that I find niggling and should not be allowed to detract from the music, is that the final applause is allowed to drag on a little too far. I would much prefer to have it fade out. My appreciation of the music will not be swayed by a cacophonous din as though to remind me that others have enjoyed it before me.)
Those who enjoyed the soundtrack to Amélie will certainly find this track equally enjoyable, as it is not too far removed musically - an energetic string-led waltz (that sounds as though it were initially conceived on an accordion) with chiming arpeggios. The video is presented below.
Dominique A's website (French)
Buy C'était Ici: Amazon UK | US
Buy Le Phare: Amazon UK | US
Wednesday, 2 April 2008
I shall do similarly, providing just the one video of Mark Hamn that is available on YouTube, the song itself, and direct links to where you can read more about and/or download the album.
This is the first really challenging work to be posted here, though I am sure there will be more to follow at a later date. This is not meant to be easy listening, however, and I hope you might give the piece a chance, even if you absolutely cannot get on with it. This is sound art and, as with all art, many will find it difficult to appreciate compared to those audio canvasses that are familiar and easier on the ear.
Download: Mark Hamn - Mono
Album: On Archive.org | On Webbed Hand Records | Direct Download (ZIP)
Tuesday, 1 April 2008
This will be a short entry as I know very little about the artist. So, what can I tell you about it? It was rated by Fongolia over at Fong Songs as the Catchiest Song of 2006 and Fabulist!'s Olga and Jewlie dug it too. It was a collaboration with Seattle poet Jay Thompson as part of Jason Webley's collaborations project and is, due to extremely limited runs of these collaborative releases, no longer available to purchase. This page has details of all of Jason's recordings, as well as track samples (rather than sample tracks, hence no MP3 links here).
The video, below, was home made by Webley and friends over two days and is a lot of fun. I shall leave you to enjoy that and I shall enjoy my coffee.
Monday, 31 March 2008
Late in 2006, Beck released The Information, to a generally positive critical reception. This describes rather adequately the level of excitement felt; it was not a great event in the music calendar.
Forgetting the content for the moment, the album itself was an exercise in creativity and marketing in the digital age. Physical media was in something of a slump and fears for the future of the compact disc were being expressed more than ever at the time. Beck wanted the overall package to be as important as its content, to add a little more permanence to its housing.
As it is, three different versions of the album have been released to date: the original version with its blank sleeve and decals so as to allow it to be customised, a CD/DVD double set - the DVD containing a cheap home-made video for each of the songs which, besides being used as a marketing tool on YouTube, one example - the song that landed us here - shown below, were intended to give a visual version of the record that may give an alternative take of it all and, a little later - to accompany "deluxe versions" of his earlier works - a 2CD+DVD set containing bonus tracks, a CD of remixes, a DVD of all the videos, including the official ones to accompany the singles - Nausea and Cellphone's Dead and all 4 sticker sets.
This is by no means the only example of its type, but it is one good example of how music can be sold as part of a greater product. As packaging becomes more and more dispensable, it is important that those artists who want to compile their works as albums follow these leads to produce works that are worth holding onto.
All of which talking and not a word as yet on the music. Is this a good thing or bad? I suppose if one were to open the package - accused of being gimmicky and thus denied eligibility into the UK Album Chart - and find that the quality of creativity stopped there, one would have a good argument for the decline of the CD. As it is, Beck, working again with Nigel Godrich, has again managed to retain his identity yet transform his sound - though some, Pitchfork Media included, feel that there is not enough of a departure or that he is treading instead too familiar territory.
There is a definite hip-hop influence to the record - which has carried throughout his collected oeuvre, though usually more obliquely. This record, unlike those prior releases, is far heavier on the electronics and samples which, somewhat unfortunately, serve to make it blend with the overall zeitgeist rather than lift it above those works by other artists released at the time who were doing so much to blend the two until-then disparate worlds of indie and rave culture. Comparatively, Beck's work doesn't leap from this far-reaching net and, as much as the album works in and of itself, it is notable just how uncool it all feels - mixing what sounds more a blend of adult contemporary rock and urban styles with rather less success.
You can dance to this album, but I don't remember hearing it in the indie clubs at the time. I can only guess that when you dance to this one you really do dance alone.
Buy The Information: Amazon UK | US
Tuesday, 25 March 2008
I shall apply this constraint to my music collection as follows:
- 1) The collection shall be organised by track. The seventh track in this list shall be selected as a starting point.
- 2) On the album of this track the seventh track on from the previously selected track shall be chosen, wrapping around (i.e. skipping from the last track to the first) if necessary.
- 3) In the full list - sorted again by title - the seventh track below that track will be selected. This is the sample track and shall be blogged.
- 4) Repeat steps 2-4, ad infinitum.